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The Famous Magician (Storybook ND Series)

ebook
1 of 1 copy available
1 of 1 copy available

A writer is offered a devil's bargain: will he give up reading books in exchange for total world domination?

A certain writer ("past sixty, enjoying 'a certain renown'") strolls through the old book market in a Buenos Aires park: "My Sunday walk through the market, repeated over so many years, was part of my general fantasizing about books." Unfortunately, he is suffering from writer's block. However, that proves to be the least of our hero's problems. In the market, he fails to avoid the insufferable boor Ovando—"a complete loser" but a "man supremely full of himself: Conceit was never less justified." And yet, is Ovando a master magician? Can he turn sugar cubes into pure gold? And can our protagonist decline the offer Ovando proposes granting him absolute power if the writer never in his life reads another book? And is his publisher also a great magician? And the writer's wife?

Only César Aira could have cooked up this witch's potion (and only he would plop in phantom Mont Blanc pens as well as fearsome crocodiles from the banks of the Nile)—a brew bubbling over with the question: where does literature end and magic begin?
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    • Publisher's Weekly

      April 27, 2020
      A writer’s future hangs in the balance when he is tempted by an “unexpected Mephistopheles” in Aira’s playful, self-reflexive latest (after Artforum), an entry in New Directions’ Storybook series. César, a 60-something Buenos Aires author, is unwilling to write about the events of his own life, which is full of “painful scars” he wants to forget. After he encounters Ovando, a 40-ish bookseller and “scruffy hustler” with “intellectual pretensions,” César discovers a new interest in magic. Ovando claims he can “make the laws of physics do his bidding,” and proves it, transforming a sugar cube into gold before César’s eyes. César considers joining Ovando on a quest for further magical powers, but balks at the requirement that he give up literature, the “protean power of transformation” that has been his life’s work. César vacillates endlessly, only to discover that Ovando may in fact be hoping to use César’s talents for his own secret aims. Still, he’s a charming narrator, noting that all his “faults might have some benefits” and questioning whether the possibilities of literature and reality are competing or complementary. While Aira’s postmodern tropes are somewhat stale, the story’s driving question of choosing a meaningful course for one’s life is timeless.

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  • English

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