Canned and Crushed

January 15, 2015
In this never-a-dull-moment debut, pride and stubborn enterprise carry a brash young immigrant through both school and family troubles, as well as embarrassing errors in judgment."Cheese Whiz, I'm only eleven, and my life is a mess." Such down moments are rare for Sandro, though, despite being severely overscheduled. He helps out his Zapotec father, an undocumented resident with multiple jobs and a bad back; he does his schoolwork and makes it to soccer practice; and he single-handedly runs a recycling operation on school grounds as (he mistakenly thinks) a private business to fund heart surgery his little sister, Girasol, needs. As mother and sister are in Mexico waiting for the procedure, he also has to do housework (not too well) while Papi's on a night shift, and in school, he plots revenge on Abiola, a Pakistani classmate who has deviled him since an incident in third grade. Sounding only a little less manic than Joey Pigza, the exhausted young narrator struggles to keep these and other balls in the air as consequences and mishaps pile up. But both Abiola and a teacher pegged as mean turn out to be surprise allies, and his father's "Be the better man, Sandro" proves a steady principle in adversity. Though Belford has her narrator utter both his favorite expletive (see above) and variations on "nothing is as it appears on the surface" with monotonous frequency and packs more issues into the tale than it can comfortably carry, readers will be happily swept along to the buoyant close. Overstuffed, as many first novels are, but fitted with an admirable, funny protagonist. (Fiction. 10-12)

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May 1, 2015

Gr 4-6-At first glance, 11-year-old Sandro Zapote's precocious, cheery attitude belies his difficult family situation. His engineer father-unable to find gainful employment due to his undocumented status-struggles with a back injury and works several menial jobs, one of which includes picking up roadkill. Sandro dutifully balances homework and soccer with helping his dad. Familial pressures intensify when the tween's younger sister, Girasol, is diagnosed with a serious heart condition requiring costly surgery. While his mom and sister travel to Mexico for the procedure, the boy and his dad are left to fend for themselves. Though Sandro tries to put on a brave face, it's clear that he feels unmoored by the separation; he lashes out by playing a vile prank on his teacher and bullying a fellow classmate. Hoping to ease his family's financial woes, Sandro hatches a far-fetched plan to install a can recycling center at his school. Belford's debut contains complex characterization: Sandro is affable and witty, yet his quick temper and poor decision-making will ring true to young readers. VERDICT Despite some slight overplotting-such salient issues as disability, poverty, and illegal immigration are raised but given short shrift-readers are likely to stick with Sandro till the sweet, wobbly end.-Lalitha Nataraj, Escondido Public Library, CA

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February 15, 2015
Grades 4-7 Sandro gets in trouble in fourth grade a lot, but he has his reasons. His dad is undocumented, and his parents struggle to make enough money, so Sandro often has to pitch in to make ends meet. When his sister comes down with a rare disease and needs surgery (in Mexico, where it's cheaper), their situation looks dire. Sandro gets the bright idea to raise money recycling cans so he can help pay hospital bills, but it's not easy to balance school, play soccer, raise funds, and take care of his father while his mother and sister are in Mexico. But when Sandro starts making mistakes and is too ashamed to ask for help, soon everything goes wrong. Belford compassionately reveals that there's far more to Sandro than just his misbehavior; his family's poverty and immigration worries lead Sandro to take on far more than an 11-year-old should. Sandro's breezy, conversational narrative, often directed at the reader, offsets the weight of his troubles in this eye-opening story that will likely resonate with a wide audience.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)